Wednesday, December 30, 2009

Herenow

sometimes the grocery store can be much too much too much for me

old ladies buggies idling isle to isle, expertly angled and impeding

and chips and choice and chips and chips and chips and soups and soups and dips and dips and dips

and i can't piece together the ever over evident commentary on capitalism and the what makes america america makes america what, because selection evertowers overme.


Location:clean up on aisle seven

Tuesday, December 29, 2009

AUTO FORM #$$$

0NIN0MINIXIMMIX
bumbling schoon!
whass displace.
ama ro ama ro coco caw macord go go caw whass flass go a ro a don

Location:playin number six on your all decade lissssst

testt e s t

Now appearing live from iphoneyland!

Location:savage

Wednesday, December 16, 2009

2 things

1: I will not reside in the old, though I am getting old, and even as an elder, wrinkled down, I'll live a now life.
2: I hope I can always realise the rich irony in even the darkest moments and laugh an honest king's laugh. Sovereign always. Self ruling. A pyramid of confidence. Not pristine efficiency of action. Just love of me. Though there is no just.

No. Regret is an evil feeling. Self-destructive. Thank the past. But not because it led you here. That is a cop-out way to justify it. Thank it because it is truth.

Tuesday, December 15, 2009

post script!

What I really mean is that they were on this beach for a solid 24 episodes and then expanded their comfort zone to other parts of the island. For a good minute I had the knowledge and the hope that no matter what my day brought to me....I could go see my friends on the island. AND GUESS WHAT??? they hopped off the island I have grown to love for its consistency.

sometimes i am so excited about the endless possibilities. but right now....assuming that NOW is all that matters....and if it matters so much I should share my NOW with the people that matter to me.... so, right now..... hm

mourning and rejoicing

Dear sweet angels,

I am living in a constant state of nostalgic tenderness. It fills my heart with gladness that I have those memories, yet, really rips open my stomach because They are gone. They. Them. Those things that happened at one point. That state of mind I was in during that slot of time. How many songs have I performed? I wish i could count. Too many tears and not enough laughs. I am not sure that this is a regret. Just a deep reflection. What the fuck happened?

There is so much evidence of a fruitful life. When I see these pictures and hear these songs....I realize how rich I am with purity and love. Remember in drawing 101.... you learn to create....and then step away and observe what you have created....and then think about what you would like to change...and then you make it happen.

Life is a huge acid trip. Do not tell my son this. I know you all know. But I needed YOU to know that I DO NOT HAVE MY SHIT TOGETHER. Let us pray

Monday, December 14, 2009

questions marks answers

i have an honest desire to save the world...
don't you?
what's in our drinking water?
where is brittney's placenta? are we drinking it?
why are we are talking about global warming? isn't there a smaller scale?
why is it even debatable? what is the debate solving?
asking the big questions. the big questions are always there...
at least we can say that out loud.
i can't even talk, i have something else popping in my head...
let's watch lost and not think.
you can save the world.
that's the nicest thing anyone has ever said to me.
i don't know what the island wants...
can you believe people still argue with gay marriage by saying that we're recruiting young people? isn't that what priests are doing?
i saw a jesuit priest at a jesuit basketball game and he was young and cute and hot and sexual and he gave me eyes.
maybe they were the come to jesus ones. or maybe they were not at all those come to jesus eyes.
WHY THE FUCK DO WE PUT PEOPLE IN THE GROUND WHEN THEY DIE?
why is that what we're doing with bodies?
shoot me into space when i die, will ya?
when the hell are we?
no matter what you say to your brother, he won't change until you change.
and that goes for anybody.
why waste time trying to change anyone?
wherever you go, just be inspired.
i know that everything in the world hasn't been done, because nobody's face looks the same.
that's how i know i was meant to do something. because that's impossible.
because that's you, j, you think everything's possible.


Friday, December 11, 2009

peter gammons leaves espn

gammons is leaving espn for the mlb network. and although i have done little to no research on the topic, i bet he's leaving espn because espn fucking sucks.
on the mlb network, he can report on exactly what he wants...contracts, player development, etc.
instead on having to report on who barry bonds is bouncing on his dick or what club a-rod was spotted at in nyc last night.
i group espn in the same category with all the other major news networks. they are all terrible. we get our news from bbc, blogs, and the daily show.
there has been somewhat of a media merry-go-round lately.
diane sawyer's leaving GMA.
dan rather is now doing real journalism for HDnet. it's not that he wasn't doing anything important before, he just knew that he couldn't be a real influence in the media from behind a major news network's desk.
i know about his scandal, but that might have been the best thing to ever happen to his career. it gave him an out. and now he is doing something real.
now, he's doing INSPIRATIONAL journalism. the type of reporting that makes people pay attention. the stuff he's doing on afghanistan is remarkable, truly.
i don't want this to get twisted into anyone thinking i think i could do a better job, since i'm a "journalist". but, there has been and is a major problem with our media.
tiger woods....god damn it, tiger woods.
balloon boy...
runaway bride...
get real america.
espn is just as bad as the other networks. it's shocking how much they've turned in my lifetime.
it's the same 180 that mtv made.
wasn't espn supposed to be about sports?
mtv about music?
cnn about.....something???ANYthing??
now it's all touch-screen tvs and graphs and sensationalized bullshit that people only watch because they don't have to read it in tabloids anymore because the easier thing to do is sit back and watch the tabloids on television.
our nations best journalists are all leaving their posts at the high-ranking media outlets because, they are smart, and they know that their talent is being completely wasted.
i read on the cnn bottom line today that tiger woods is cutting someone a check to not release some nude photos of him. where the fuck is this coming from?
who cares?!
i mean, i would totally check out the pix if they got released.
this column could have been reduced to two words: tiger woods.
i think this audience would be able to grasp the intention from those two words alone.
i mean, is it possible that gammons is leaving espn just to get away from tiger woods talk?

**************************

this is the dirty projectors song that fucked my face so hard at their show. PETE merry xmas:
http://www.divshare.com/download/9716223-d43

Just really thinking

Sometimes I think I have most things figured out. I can talk to my friends about this and that but I always have that inner monologue that dissects and proves the real truth to myself. Things I think about people that I don't want to ask aloud. But things that I am sure are true. I begin to talk about these things and realize not only are they not true, but they really don't make that much sense. Regardless of what I may be thinking, how did I even arrive to a conclusion? Why don't you call? I know you're not asleep, I know you're not busy, I mean it's 2009, everyone has their god damn phone? You're avoiding me, you no longer like me, you hate me. You're not normal. Me, I'm normal! I don't do things like that. One might ask, "Why don't they call?" To which I'll reply, I'm sure he's busy! I'm sure she's just taking a nap! Doesn't he have finals this week? Well she did get that new job.... The same doubts and assumptions begin their familiar erosion of truth and sensibility. Well you know me, I don't give a FUCK, it doesn't matter who calls or who doesn't call. I am free of self doubt, ramming through facebook, maniacally picking through my texts over and over, I just don't do it. I understand the motivation behind everything just like everyone else.
Neverending circular inner dialogue.

I wrote that in 2009 thinking it wasn't finished. But now that we know that every horizon is new - and that nothing can no longer hold us back in the year 2010; it is finished. All that.

Monday, December 7, 2009

a time...

i went to a funeral today of a 19 year old girl. she didn't seem that much younger than me until i saw her small body in a coffin and thought about myself at 19. five years ago. as i sat on the pew in a small episcopal church surrounded by the three people in this town i could even come half-way close to saying know me, i watched as this poor mother was so frail in grief her husband had to physically move her arms and legs to rise or sit for whatever the service was calling her to do. crippled by grief. my heart ached. i selfishly thought of myself and my life, but i have a feeling that's what most people do at funerals. say they're so sorry and get in their cars with people they live for and thank god it wasn't them in the front rows of that church.
i listened as the priest looked me in the eye and spoke of living for today. of not going to sleep with burdens of the past. how you can never be too quick to forgive or tell someone you love them or you're sorry or you're trying to be better. and yeah, it's all cliche. but the thing is, cliches are cliche for a reason and most of the time, they're absolutely true. because everything does happen for a reason and every passing moment is a chance to turn it all around.
it may seem pornographic that i stared at this women in the depths of her despair, but it's because, for whatever reason, her little girl told me all about her mother. and i heard the hurt in her voice when she told me stories of things she pretended not to really care about. i also heard without her saying it, the mistakes that she had made that may have caused things to be so. but i also knew that she was trying. every day. that coming to work made her feel better- like she was doing something in the right direction and learning that some people in her life weren't good enough for her. so, when i saw her parents for the first time today, i saw what guilt, loss, grief does to a person and that if they could've just seen what their daughter was trying to become maybe it would've been a little different, maybe some of that pain wouldn't be so self-inflicted. maybe if they could've just seen that she was trying and just let it be enough for that day.
but because of this little girl in her over-sized coffin and because of that broken mother and because that man looked at me of all people with swollen eyes during his message, i know that the burdens i have carried around don't mean shit. because we're all just trying every single day and it's just too easy to point the finger and pretend we're better, your problem is bigger. and i sent what remained of those potentially guilt-ridden, grief-stricken feelings with caitlin this afternoon.
because i got five more years than she did.
and then, i got in the car and thanked god it wasn't me.

I LIKE POP MUZZICK

well, it certainly has been a while. for me at least.
i would like to start posting again, even if it's just me this go 'round....
it's good to have an outlet, and i don't consider facebook to be anything personal at all.
please post whatever whenever. [postandeason]
for now, here is my list of 25 great albums from this year.
i know you have all been on the edge of your seat.
these are all albums i have, so if you would like to hear something on this list you haven't heard before, e-mail me--jayjerkm@gmail.com/or comment on the post and i will throw an mp3 on this hoe.
*****************************************

25. fuck buttons - tarot sport
this is the kind of noise i can fuck with. beautiful, miserable melancholy drones with dancy beats behind them. i'm also glad they halted the screaming, although it goes so well with the last album.

24. julian casablancas - phrazes for the young
the first three songs on this album are the biggest buildup of the year, only to be followed by a pretty severe let down. i love him so much though, and the first three songs are really that good

23. empire of the sun - walking on a dream
kind of in the same vein as julian, great opening half, pretty dumb closing. again, a few songs i reeheeeally like

22. flaming lips - embryonic
glad they are back to making druggy creepy music again.

21. xx - xx
okay, say what you will but this is a pretty great album. it's coherent and cohesive and breezy and timely. the xx are smart, music is ready for this sound.

20. yim yames - tribute to
fuck i wish this wasn't limited to six songs. boo!!

19. themselves - thefreehoudini
homies. good rap, they get the white boy fuzz hop nod since why? wanted to sing country songs.

18. sparklehorse - dark night of the soul
nice. was kind of underwhelmed, but sparklehorse and dangermouse? they could ______ a _______ and i would still listen. [insert whatever, i don't care, you get it]

17. major lazer - guns don't kill people
fantastic idea. some really great songs. also some kinda dumb ones.

16. japandroids
anything aaron cox likes i know i will like. this is one of the only in that new lo-fi shitcore stuff that i really got into. japandroids seem so much more thoughtful than all the other new 4-bit whatever bullshit.

15. mew - no more stories....
most underrated album of the year. if these guys could stick to a time signature they would be as big as the backstreet boys. they are super cute too.

14. dirty projectors - bitte orca
best live show i saw all year. there's not anything wrong with the album, i just don't think i have the patience sometimes to appreciate what they're doing. their show was UNbelievable.

13. pictureplane - dark rift
trosclair's stories about how fucked up this dude gets only tickled my pussy bone. i'm so happy this weirdo is alive and making music. his songs will take you out of your element. very pleasant and unpleasant end-to-end, it depends on what kind of mood your speakers are in.

12. jay-z - blueprint 3
quit hatin, it's dope and you know it. seriously, haters, shut the fuck up.

11. dan deacon - bromst
this should be higher, but i just wasn't that into him this last time i saw him with the ensemble at spanish moon. he seemed irritated. that has nothing to do with the album. the album is balls to the wall awesome and dancy and thoughtful and hard and evil and spiritual.

10. grizzly bear - veckatimest
i still don't know what to think. i mean, of course i love it. i just don't think this is the be-all-end-all album ever and shit. i think they have a lot better, heavier albums coming in the future. anything i say about this will sound inadequate, because i've listened to it probably more than most of these albums. but, i really like it and i'm glad it's getting this kind of attention.

9. mos def - the ecstatic
i did not dig his last album, which was critically acclaimed all-around. really, i just think he's gotten s'dang cute!

8. teengirl fantasy - tgif ep
k, it's just an e.p., it's only four songs, but this little diddy is really spectacular. they just signed to anticon., which is strange, but i'm glad. thanks justin nix, you done good finding this for me. teengirl fantasy might be the next huuuge wave. or just another nice new sound that i'll never care about again.

7. maxwell - blacksummersnight
he's back! thank god...i was listening to ne-yo for a second just to get my chocolate.
'now' is one of my favorite albums ever, and somehow his most recent effort didn't disappoint. i was hoping it'd be more dramatic, but his lyrics are really specific and i dig that.

6. pterodactyl - worldwild
i just have a boner for these dudes. they played with the peekers a long time ago and blew my mind. megan "let me borrow" the cd, which hasn't come out of my car since. 'worldwild' this year did for me what videohippos used to. something progressive and loud without being annoyingly ahead of the curve and make you feel behind.

5. neko case - middle cyclone
somehow hyped and underrated at the same time. my favorite album by neko case, easily. very hooky, but honest, sincere lyrics. it's a seasonal album, that you can fit into any season. SEASUNZ *hand swipe across belly*

4. lil wayne - no ceilings mixtape
he's rapping again! there's nothing better in the rap world for me than weezy non-stop over dope beats for an entire album [3000 aside].... syrup got me slow, like a turtle round this hoe...every line he spits is something you'll want to repeat at some point during the day. a few of these songs blow, though. but, swag surfin/watch my shoes/ice cream paint job=FLAWLESS

3. animal collective - merriweather post pavillion/fall be kind
no surprise. it's just really good. there are a few songs that i still just don't feel so much, and i don't think it's their best album. but merriweather would be this high on my list for 'brothersport' alone. the fact that they just put out this e.p. [which is brilliant] pushes them up the list i think. 'fall be kind' is 20 minutes of heaven right now.

2. phaseone - white collar crime
this is a little tricky, because dude's using other people's music. i'm not particularly a fan of this method. but, the thing about his album, mixtape, whatevz, is that he doesn't just throw a new beat on some other people's stepped-on shit. he creates a completely new feel for each song, and makes a banger out of all of them. the music is gorgeous, the song selection--on point. i can't stop listening.

1. phoenix - wolfgang amadeus phoenix
i've said it before, i'll say it again: I LIKE POP MUZZICK. k. now, this is easy for me. i heard this album and knew exactly how i felt about it. every song is a hit. every song is still exciting to listen to each go 'round. it's such a great pop album. it is definitely one of my favorites of all time, in fact.
the thing that really gets me, is that they must have known when they made it how huge it would be. they must have written these songs and thought, "fuck, yeah we should call SNL. this shit's gonna be huge."
the lyrics are cryptic, but the listener is able to connect with them.
i don't know what i would have done this summer without this album.
i like it as much as i did when i first heard it. and if you know me, and you know how much i've listened to it, that is quite the feat.

honorable mention: dead man's bones, crocodiles, the field, dd/mm/yyyy, little girls


coming soon...postandeason's favorite youtube videos, songs of the year, quotes of the year, the all-darsh squad, pix of the year, and more!
don't call it a comeback!

-jerks

Sunday, November 29, 2009

The damp streets were cut off
from the automobile public.
The old homes boarded up,
for rent signs, chipped paint.
Gas lights flickered,
fluorescent lights buzzed.
We walked like kings
down that empty street.

Friday, November 13, 2009

Love in the Time of Swine Flu @ La Nuit Theatre @ 7 pm
http://www.nofringe.org/shows_2009.html

-Fringe Friday Tent Party! Featuring - Marygoround & The AppleCheeked Boys - Chuck Perkins & Voices of the Big Easy - jazz and blues musicians alongside poets, rappers, singers and Mardi Gras Indians. FREE! (and beer is cheap: $2 Abita Amber draft beer) 11 pm until. At the Festival Tent on the Corner of Press and Dauphine


Sunday, October 25, 2009

She's like a bitch in a good/bad way

If you're the sexiest Freak around, why so conflicted? You're the one that wrote the book on cool. You smoke all the time, drink all the time, fuck all time, didn't even finish high school. Your big ass smile radiates flammable booze smoke as your sweat soaked bangs shellack to your flushed cheeks. You fuckin bad ass. I bet you have so much leather. Tell you this, tell me that, no ones ever gonna remember. You always tell me how you don't know what that is. You always tell me how you know just what that is. Throw your singed butt away with just enough lazy attitude. Hop in the car with a stranger and have the night of your life. Every night is the night of your life. Fuck with the scene! You are the scene, right?! you don't take shit from nobody. You don't take shit from nobody.

Rounding Out

On cream dreams purples
and orange
lined by that man in red
he's goin somewhere
I know it's the morning
I know it's the night
I need five more minutes
try and get right
but I'm so warm right here
And I don't really wanna go
Why we gotta be so busy
I'm not sure I need to leave
Thinking
Out of snoozes?
Yes. Fuck.

Tuesday, September 29, 2009

Dinorock "Un-Extinct 2010 Tour" (TBA)

Monday, September 28, 2009

anongr sept tuadem...

drespix iknomew cisdan slypt graan, horb durrmpft. intongueloes fettigrem intuem pordloando? schlemm? aberaux. fortogous? schermt. crexilaie hendraphourush snaaersnin! longatulous!!! welonk, pebut ri iny foempeng memperslack dongele. lopililiscoop frampes moperescent anquant anqunticist gnapn. pteradacent hoemjez ptemaf maferesent screm. soop frebarndt sepz soat cilani, ober sompt dels ghet ompersanp. imper vampp jo omp zangeln.trana goinc xbala!

pleilandi bambaha,
Faimpa Ferrndt ync Letsui Danglo







Sunday, September 27, 2009

Mornings

Some warm mornings
the only reason I get out of my bed
is because I have the potential
of thinking of you.

I know I’ll not see you.
I know you’ll not return my calls.
I know I’ll not speak to you.
I know you’ll not reach out to me.

But, I may think of you.
And, I may remember our short time together—
Your charm, my ease—
And I may smile.

Wednesday, September 23, 2009

Crocodiles

I don't even have to the words to describe how intensely i feel about this band's music.

crocodiles4

more photos

Saturday, September 19, 2009

daft punk is playing at my house

5770

The snake slan the pinwheel
onto overdextrous stew,
crammed a sliver into pembrane,
oligarchy claimed a few
of the zealous silver footmen,
all abrarcht with steaming pots,
filled a night with wholesome hollers
and regascent pilsternots.

Monday, September 14, 2009

dead cereal - don't try and stop me





cause when i am down
there's not a question
where will i go?

shade on the concrete
fighting for me

i'll grow up asking
why there is sound constant
inside my head

i'm going, i'm going, i'm going to get it
i'm going, i'm going, i'm going to make it happen
DON'T TRY AND STOP ME!
***********************************

i am waiting for a boat.
checking myself in tomorrow morning. don't try and stop me. 28 dayz.
i'm ready to be a good friend/son/brother/co-worker again.

i won't be posting for a while

this is my decision, and it is the correct one. we all got our shit, sometimes it's too much to clean up.
but when you have people around you who know the size of your heart, they'll take you where they can.
mine picked me up today and took me where i needed to go. now it's my turn. my turn to start over.
it won't solve anything. but it will give me the tools i need to be prepared to come back, and be that jerk. that motherfuckin jerk. that boy who can make you giggle, who is overwhelmed by his imagination, and who cares about you more than you know.
this song explains why i am moving to rayville to become a stewardess.
i love you all with all my heart.
please keep posting. please keep creating. please keep in mind that you are never out of options. especially, people reading this, you have friends like mine. lean on and be leaned on. learn from one another. listen. listen to yourself.
look out for number one so that you are ready when your friend number is called.
the world isn't that tough, let's just enjoy those days when the weather's nice. and when it's not, find a friend and go play jacks.

more love than much love

jerk

Sunday, September 13, 2009

Thursday, September 10, 2009

yocab: september 10

JUBILESCENT:  n. an individual in the process of becoming joyful, frequently in spite of his/her best efforts to the contrary.

MARJY:  v. to pry from the clutches of any stubborn bird of prey, esp. one's own children.

ALLAGACIOUS:  adj. predisposed to magical explanation of common phenomena.

 

words by Anya Clingman. definitions by Justin Lamar Nix.

miss teen wordpower

Tuesday, September 8, 2009

my dream

I'm trying to ease my way into this thing. OK, nevermind--forget that. You've all seen videos of me drunk of my ass saying i've been to SeaWorld (refer to Montage ii).

So, I've been having pretty absurd dreams lately. I sleep-walk, wake up asking my boyfriend why he would ever rip my baby blanket in half , was late to work because i thought i was already there (we've all done that), etc. But last night my dream involved every person in my life, so i thought I'd share.

Setting: A big house in the country something like "The Dairy", where one of my co-workers used to live. It was a big party of sorts. EVERYONE was there---college friends, co-workers, the darsh nation, postandeason posters, family, bar-friends, etc.

At one point in the evening everyone gathered in the backyard for some star-gazing. However, such star-gazing included comet sightings, as well as millions of shooting stars and really strange nebulas.

The next thing that appeared in the sky was a small brown mass near the moon with a red spot on it. Lindley decided this was Uranus, so we were convinced. It was moving very rapidly and getting larger and larger, so we dismissed the idea of such a rapidly moving brown spot being a planet. The bigger the brown mass grew, the closer it go to us until it finally fell out of the sky and into the bushes. Everyone rushed to the scene, searching through the brush where the brown mass shook and shivered the shrubbery. We peered through the limbs.

What we then discovered was...

A baby E.T. with a red leash on it.


=blackeyed suzy b

Monday, September 7, 2009

yocab raws wif jonbom

dit: n. an empty medicine bottle, commonly found in the home, whose purpose has yet to be determined.

amliac: n. the time between waking and realizing you don't have to get up yet.

anraws:
lillium crimpf flelum chompfney
mit nitly tetherian sheh slamit horselen
glororen
immodant bires
zwaracule
faimpa ferrndt
itzraimkft
ephiliop fenstrus
zyentereisten
volgomi
secreprius
corpdcnel
zhondgrl
tomparlo pominion
swip noin
glofreem
prieyander
cloi
xaco
deagln daeglahenn
slocheng
gnehcols
shengloesh
olaeglas
leglaeso
olesealegs
teb pipariklex
zharfan
yan nemainst
heloerny loerly

wrods amnuitions bee Hant Liome fa Faimpa Ferrndt.

Saturday, September 5, 2009

BEAT CONTROL

Thursday, September 3, 2009

Artist Profile: Sarabeth Dunton


 
Hudson Helicopter Crash, 2009. acrylic on canvas. (click to enlarge)
 
Justin Lamar Nix: How long have you been painting? 
Sarabeth Dunton: Oh god.  Forever.  When I was little I used to make these crazy abstract color block paintings with water colors.  My Grandma kept all of them, and pulls them out to show me every now and then.  They’re pretty amazing.  Very raw and just completely visual.  Sometimes I wish I could get back to that. Other than that I painted for five years of school, then took a two year hiatus and focused on drawing.  I started painting seriously again a little less than a year ago.  

JLN:  Who are some of your favorite contemporary artists? Oldies?
SD: I love so many artists for so many different things.  I love Eric Fischl for his taut psychology, Marlene Dumas for her arrogant and grotesque beauty, and Matthew Ritchie and Julie Merhetu for their abstract yet apt depictions of the contemporary landscape.
As for older artists the list goes on and on.  I think it’s especially important for postmodern painters to look to pre-modern art and really dissect it.  For instance, Cezanne’s use of composition and color is eternally interesting and practical to the understanding of all painting.  Also, Morandi’s  indefatigable meditations on the same dusty still life is pertinent to all painters.  I appreciate the slow process of really getting to know your subject, it changes the way you approach the painting and the choices you ultimately make.  As for earlier figural work, I’ve always had strong guttural reactions to Caravaggio and Goya.  The drama and theatrical quality of their work will always affect me.


Science Fiction Reality, 2009. acrylic on canvas. (click to enlarge)

JLN: Where do you draw your inspiration?
SD: Lately I’ve been taking images from the front page of the New York Times.  They have such amazing photographs on the cover every day.  Specifically, I’m interested in disaster scenes.  These images grab my attention in such a way I feel I have to comment on them.  An image of any disaster, be it war, a plane crash, or a natural disaster is such an interesting thing to me.  It seems to capture a slice within a moment so well.  I like to take an image, a sliver of reality, and complete the story. 

JLN: What about new Orleans inspires you, keeps you here making art?
SD: It’s such an interesting place.  It seems to be a place where there are so many contradictions.  It has a self-destructive energy to it that I think fosters creativity.  My work is all about exploring the confluence of destruction and creation, and I think that New Orleans embodies this idea very well.


Natural Disaster, 2009. acrylic on canvas. (click to enlarge)


JLN: With non-figurative painting, do you see the finished image before you begin, or does it evolve in the process?
SD: It’s definitely an evolution.  I’ll start with a concept and an image, usually an image from the newspaper, something I’ve seen that day that’s really struck me, something I feel I must comment on.  Usually this image inspires a color, so I start off with a color field and a representation of the original image, however I choose to interpret it, and then build around these principles.  I think that all painting is an evolution.  There is no way you can set out to produce one thing and have it turn out exactly so.  Artists are not computers.  We have to work with our mistakes and be willing to have a dialogue with the painting.  This means that sometimes I inflect my desires onto the canvas, but also sometimes the painting itself directs me where to go.  There are certain choices, visually, that have to be made in order for a piece to “work”; these choices are prompted both internally (personal preference) and externally (basic principles of composition as directed by the work itself).


JLN: How do you want to affect the perspective of your viewer?
SD: I want to startle them, then intrigue them.  I feel like I’ve completed a successful painting when the viewer goes back again and again and continues to discover something new.
 

Molecular Annihilation, 2009. acrylic on canvas. (click to enlarge)

Sarabeth Dunton is a painter, illustrator, and installation artist in New Orleans. She speaks very loudly, and is a dear friend of mine. Check out more of her works at sarabethdunton.com.


Tuesday, September 1, 2009

put me in, coach

yocab- september 1

fetchitude: n. the inner demeanor of one who must retrieve goods and/or services for another, less-fortunate friend.

chorish: adj. an arbitrary feeling during the course of an activity usually associated with pleasure.

glovant: n. a teller of tall tales of world travels by one who has never, in fact, left his/her hometown.

esecterent: n. 1) the foam produced by the simultaneous sipping of a carbonated beverage and induced laughter. 2) one infamous for his/her appetite for the remains of dead birds.

spindelpholeen: v. to fondle any number of DNA strands.

trangromery: n. an alcohol-induced state of depression. those suffering intensely from this ailment may be taken to the trangromery ward.

cervalence: v. to actively seek out hidden beers.

incendepenne: v. to have one's member burned away by members of the mafia.

pleitchoutoulay: n. the tendency to experience panic attacks while crossing Lake Pontchatrain, possibly out of fear of the dreaded Pontchapus!

crosectalyze: v. to create leafvein-like structures on the tissues of animals while dissecting them in sub-freezing temperatures.

bargs: 1) n. hairy pustules formed on the knees of Vikings. 2) int. an angry interjection common among blue-collar repair workers of all kinds.


words and definitions by Pete Fetterman, Emilie Anderson, and Justin Lamar Nix.

Monday, August 31, 2009

poem by a 4th grader trapped in a jj's body

i got friends, like paul and pete
they say things that are real neat
pete says paul
should get a call
once or twice a week.

i got moms like black and white
they say things that are so right
mom taught me
not to worry
'cause that's all it will be.

i got thoughts that turn my head
ride my bike, or make my bed?
just to know
that moving slow
makes you cool, you see?

i got self-respect, yeah!
and boy, does it feel nice!
i can do the things i want
and take my own advice!

i got respect, for you too!
i like the things we have to do.
they make the world go round and round.
they make the truth more true.

Friday, August 28, 2009

indescribable

catch the sun




AUTO FORM #5

LOUD MEDALLION

Thursday, August 27, 2009

O KAY DOE KID O

re: mem ber
med cen ter
tee one con
neck shunz

boo T leg
lis bon ber
lin one caw
leck shunz

nap chur chin
an weigh tin
dye lup con
neck shunz

a wreck cor
ded mount
ain us per
feck shunz

Wednesday, August 26, 2009

introduce yourself

Let's all get to know one another, so we can be sisters and we can be brothers!


My name is Justin!
Lamar Nix!
I play the basses
and I make weird faces
and I just turned 26!

NOW YOU GO TURN!!!

CHECK IT


DAVID HORVITZ, an artist, has great projects, do one and make your day better.

He says :

All of these ideas can be seen as "open source." I am relinquishing all control I may have over them on account of my position of thinking them up and publishing them here. In the act of sending them to you, you are granted, with absolutely no restrictions, full creative power over them. Feel free to realize, change, steal (you can't steal something that is free!), publish, claim as your own, destroy, become influenced by (either because you like them, or because you hate them so much that they give you better ideas), appropriate, spray paint, or anything else with them. You do not need my permission for anything.
mmmmmdig.it.

Tuesday, August 25, 2009

GET BORN.

Saturday, August 22, 2009

moi je joue

Friday, August 21, 2009

scene 4 " sausage in my ice cream sandwich cake"



BOOOOOOOM. they run into each other....jimmy's sausage kurplunks into brittney's ice cream sandwich cake. Justin Nix provides Jimmy's voice. Nicole Lynn provides Maddox's lines. WAIT WHATTTTTT???


scene 2 is yet to be filmed.

scene 3 "Macaroni Grill"



script has been posted a few posts below.

scene 1 : "Pickles"



"how strong are you"
"real strong......wait.....i can't open this"

a gun shoots the top of the pickle lid jar open!!!!

"WAIT WHATtt?????"

Thursday, August 20, 2009

saintly eyes



The home is quiet. Clean and dark. My son moves about in his sleep and I wait for my meds to kick in and help me sleep. Here is something I wanted to share. Sometimes I do say "how dare we stop" because it's scary. And it's special. Deep Deep Deeper than I can explain.

"Somebody's gonna change ya
Somebody's gonna give to you
ok? just calm down....stabilize
you have saintly eyes"

(jj, im going to email you the song "saintly Eyes." will you please just upload it to this post and delete this personal message? thank you. i couldnt fucking figure it out.)

Wednesday, August 19, 2009

a rev by any other name

A Story That's Not Long

It had been raining all afternoon, but the men's spirits stayed high around the camp. Jonathan Hudson, the leader of this bunch, had been in his tent for the last 3 hours. Tom Tom, his number 2, finally decided to break his silence and burst into Jonathan's tent. Tom Tom gasped and fell backwards out of the tent. The dismembered body of his fallen leader was spread all over the tent floor. "She's here!!!!!!!!" Tom Tom screamed to the men. The constant training and preparation had obviously paid off; the men sprung into action and were ready almost instantly. "She got Jonathan!" Tom Tom shrieked, "She's probably still here in the campsite. Everyone in the center! When's the last time anyone heard from the perimeter lookouts??" Jim Waverly yelled out, "I just spoke with Durk and Jason not five minutes ago." "OK," said Tom Tom, "Three of you go out and bring them back. I want everyone together at this point."
With all the men assembled, Tom Tom started making his preparations for action. "I want half of you to have torches and handguns and the other half of you to have rifles and shotguns... I don't wanna take anymore chances with this bitch." Suddenly, Daniel Gibson gasped and pointed up to the castle next to which they had been camping, "Look!!!" All them men turned and saw the same thing. A burning light filled the windows of the upper floors. "Someone's started a fire in one of the fireplaces." Tom Tom growled, "It's got to be her. Get your weapons boys, it's time." Within ten minutes the men were armed and ready. "Let's move out men, we've got a tough climb ahead of us."
After nearly two hours of climbing and hacking their way through the dense hillside on which the castle was perched, the band of men reached their destination. It was a side tunnel used for flower and Krispy Kreme donut deliveries. The men were scared and showing it. Tom Tom saw the fear in his men's eyes. "We're about to do something tonight that will benefit all of mankind. I know it's dangerous, but have faith men."
The men made their way up the sewage shaft. The climb was littered with used condoms, US and People magazines, and torn up acceptance speeches. They finally surfaced somewhere on the first floor of the castle. Winding staircases surrounded the men along with mirrors on every single surface. Lance Bennit, one of the younger men, ran right into on of the mirrors causing it to shatter with a deafening crash. The men heard a blood curdling banshee scream come from the floors above them... and then she appeared. Standing at the top of one of the northern staircases she stood glaring at the men. It had finally come to the pivotal moment of truth as this brave group of men stared into the eyes of Susan Lucci.

Tuesday, August 18, 2009

yocab: aug 18

please define the following three words:

BOGOLVE

THRENANDI

POLAEVIENT

Devendra Banhart-This Beard Is For Siobhan

Crazy/Great

Monday, August 17, 2009

scene 3

Scene begins with John walking into the room catching Brittney reading about Narwhals. "I know I'm a nerd." (She had found herself so envious of the article. The idea of pitching tents off the coast of Greenland just to catch a glimpse of something she always wanted to see. The idea of being free enough to make this happen.)

j- "britt I think you have something on your face."

brittney turns her head toward john with concern in her eyes.
b- "What face?"

Her face is now that of James Parrish, Jr.'s.

"Jimmy, what do you think you are doing here?" says john with anger in his tone and shock in his butt.

jimmy - "Screaming at you!!"

The real Brittney bursts through the room and says to john, "Looks like you're day dreaming again!"

This was not the first time John dreamt of a mutated Jimmy/Brittney being. Twice before he had imagined the painful agony of seeing Jimmy's face whilst fucking his wife.

John: "I just can't seem to shake the shit out!"

Jimmy says, "day dream come true!"

John : "whattttt" while turning his head to the left.

Brittney gets on all fours and crawls out of the room.
as she leaves the scene she says "Ya'll want something from the circle k? maybe a sodie?"

"listen I don't want to have nothing to do with corporations," says Jimmy.

"I'll take some Circle K chili bowl" John declares!

Brittney crawls back with a bag in her mouth and says "COME AND GET IT FAGGOTS!"

She stands up only to dump the bag open on Jimmy and John's dinner plate. It is a bag of poo poo.

"Well if i have to eat something, I'd rather it be this shit than Circle k," says Jimmy.

"You know what? I hear that there is some great poo poo platters at the macaroni grill." says John.

"wait what!!!!!!!!!!?" says jimmy and Brittney simultaneously and turns heads to the side.

end scene with an original song coming soon by Jimmy and John.

THE ARROW AND THE SONG

i've got mine

how dare they stop?

...when the pieces fit so well...




don't want no drama. just shed a tear.

always talkin in opposites





P-Funk

by Pan Frederick



The two things I enjoy most about Portland, Oregon, as of today, are as follows: 1. The power of the pedestrian. If you're standing on the side of the road and it appears as though you may be thinking about possibly wanting to cross the street, cars will stop, sometimes screech, to let you walk. 2. No sales tax. If something costs $9.95, it costs $9.95. If you only have two dollars and two quarters and an iced coffee costs $2.50, you're getting an iced coffee. These are two very beautiful things.


Two things I am still getting used to: 1. Portland men. 2. Portland men. I just don't get 'em. Maybe there's nothing to get. Maybe they're really not that different. Maybe I've lost my mojo. Or maybe they're all nuts. Fucking loony. Don't get me wrong. Good looks, motivation and creativity are in abundance. However, shyness, taken-ness and asexuality are also rampant. 


A few other things I've noticed: 1. Every store smells like a thrift store. 2. Vegetable gardens are often in the front yard, and they tend to spill onto the sidewalk. 3. People who look homeless may not be. 4. Happy Hour is required. 5. Haircuts are optional. 6. Eyewear as fashion, rather than function, is encouraged. 7. Lesbians do exist. Although sometimes they are mistaken for death metal band frontmen. 8. Indie-rock is king. 9. Unless you're anti-trendy. 10. In which case you're so far underground, you might as well be a mole. 


I started reading the book Fugitives and Refugees by Chuck Palahniuk.  It's about the people of Portland, or the "most cracked of the crackpots." The book begins with an interview with Katherine Dunn, a writer and poet of Portland. I think she lays it out nicely...


"Everyone in Portland is living a minimum of three lives. Everyone has at least three identities. They're a grocery store checker, an archeologist and a biker dude. Or they're a poet, a drag queen and a bookstore clerk. It's tricky because all the rich people are in disguise. You never know when the scruffy guy behind the counter could be someone rich enough to buy the store, chew it up and spit it out. The nice little old ladies from the West Hills - with sweater sets and pearls - they're all rabid advocates of the death penalty. We just accumulate more and more strange people," Dunn tells Palahniuk. "All we are are the fugitives and refugees."


Portland's funny. It draws people for accidental reasons. I've yet to meet anyone who is actually from here. But I've also only been here two weeks. And I haven't met that many people. 

Sunday, August 16, 2009

Lets play a game.

The name of the game is to make rules. go.

Friday, August 14, 2009

Ride the Lightning

Wednesday, August 12, 2009

AUTO FORM #4

SAL VIV AL VAV LE VI LVAL VAVA VIL A LAVA VA LALA LAS VIV AS ALVA LIV AA

sweet love for planet earth

Sunday, August 9, 2009

yocab- august 9

define these three words:

SPREELEVENDT

RETITRIEFILAGLE

GLOVANT


big, big yocab news coming soon. thanks you!

the headmaster ritual- from thumbs down webcast

pick your favorite...

...radiohead youtube clip, and post it here. it's sunday, it's the lord's day.

Wednesday, August 5, 2009

BOMBS OVER BAGHDAD

Raised On Crap: My Childhood Cartoons pt.2

So what exactly happened to cartoons after the Golden Age of animation? Perhaps better understanding this will help those people out there who believe they actually enjoyed shows like Tiny Toons and Animaniacs realize they are terribly wrong, and that these were ugly shows created by people who couldn't draw if their life depended on it. This is all stuff that I have learned from reading publications like Wild Cartoon Kingdom, which was written by heroes of the animation industry like John Kricfalusi, who actually were working animators during the '80s. Since those magazines are out of print now, I will gladly pass the good message along.

There's a reason the 1940s and '50s were referred to as the Golden Age of cartoons, it's that all cartoons were made by Cartoonists! That's right, zillions of years ago there were guys like Bob Clampett, Chuck Jones, Tex Avery, Walt Disney, Ub Iwerks, Frank Tashlin, Bob McKimson, and many more who would make cartoons so funny that we are still laughing at them today (even though now they come packaged with a parental advisory!).


It was in the 1960s that cartoons were taken away from Cartoonists, and put into the hands of people who hate cartoons, not to mention hate the Cartoonists as well! These were people who didn't understand how to read storyboards, and this is where Cartoon Scriptwriters came from. In fact, not only can the Cartoon Scriptwriter not draw, they can't write either! Did you know that cartoon scripts are well known for being the most illiterate entertainment medium today?

This is where the Dark Ages began, and we pressed on into the '80s with shows like Gilligan's Planet, He-Man, Lavern and Shirley In the Army, Fat Albert and the Cosby Kids, My Little Pony, The Care Bears, Smurfs, Snow White and the Seven Giants... do I need to go on? This list could extend for pages.


John Kricfalusi actually had to go work for the worst cartoon studio of all time, Filmation, where the artists were hired to rehash versions of old cartoons, classics like Tom and Jerry, Droopy, Heckle and Jeckle, and Mighty Mouse. He once stated, "Our job was to destroy these cartoons that we all loved when we were kids. We did a pretty good job of it too. Over the years I worked on some of the worst crap in history".


When Who Framed Roger Rabbit was a hit in 1988, it set the stage for the return of cartoony creator-driven cartoons, and that's where The Ren & Stimpy Show came from; Nickelodeon executives hired Spumco to produce what they thought was a new concept, cartoons made by Cartoonists.

But Nickelodeon didn't like what they saw, and they not only fired Spumco just a little over a year after production began, they stole the characters and created Games Animation where they made their own episodes, destroying the series just the way Filmation destroyed classic cartoons in the '80s... only this time it took 2 years instead of decades to achieve.


What did Nickelodeon hate about Ren & Stimpy? They hated the gross jokes, they hated how crazy Ren was crazy and they wanted him to be nice to Stimpy (what if Moe had been nice to Larry and Curly?), and they also hated weird stuff. They even threatened to fire the staff after seeing the storyboards for "Stimpy's Invention", an episode they would later promote with countless posters and toys!


There are other heroes in animation like Ralph Bakshi, who actually sold CBS The New Adventures of Mighty Mouse during a staff meeting, when he didn't even own the rights to the character! Network executives didn't allow anything original during the '80, it was all about selling the toys or pre-existing franchises. Once the meeting was over, they found the rightful owners and were able to produce a series created by cartoonists. Flawed, sure, but it was the first time since the Golden Age that cartoons were pure again!

I kind of got off subject here, and talked more about the good stuff as opposed to the "crap", so I think the best thing to do to try and wrap up my point is to have you compare cartoons. Below is a Bob Clampett short called "Baby Bottleneck", and directly below that is a Tiny Toons short. Watch these two back-to-back and then tell me that Tiny Toons did not destroy everything wonderful about Looney Tunes. Just below that, check out this really cool article by Kali Fontecchio on "Baby Bottleneck"!




Kali Fontecchio's "Baby Bottleneck" Review!

written by Jason Anders

Tuesday, August 4, 2009


Preamble to the Constipation:


My hope has been to contribute short, often full of expletives, opinion pieces to the Postandeason Community. I've been a little backed up lately. However, I have recently relocated to a city where I know no one, and I am hoping this lack of distraction will allow for more writing to occur. Here is a sample piece. I wrote this shortly before leaving New Orleans. It began as a rant on the bad drivers who think they're good drivers so they honk at everyone they deem bad drivers in hopes of teaching those bad drivers a lesson as well as cutting time off their commute - which averages to about 90 seconds. A minute and a half. That's it. However, the column took a turn somewhere along the way. I hope you can follow the trail, and I hope you're game for the journeys to come. 




Honking and Waiting

by Pan Frederick


I can't write unless I've something to say. Lately, I got nothing. Even the excessively unnecessary horn-honkers don't rile me. Okay, maybe they still annoy the fuck out of me. But in a nice way. In a, makes me want to caress them sweetly, sort of way. I want to tell them, "It's okay. You're doing great. You'll arrive at your destination shortly."


I'm beginning to feel like I finally have my shit together. At least more than the honkers do. Because if I can make it across town without bolts of rage and barreling obscenities rushing around my veins and pouring out my mouth at those stupid idiots who don't know how to drive - they better get out my way - MOVE you Mother Fucker - HooOOOOOOONNNNNNNNK ......then I'm doing okay. 


Actually, the true test of mental stability is getting through a Sunday Brunch without wanting to punch every hungover-er who orders a coffee and a water, a Diet Coke and a water, a fucking Bloody Mary - not too spicy - and a water, with a lemon - please. Whenever you get a chance. 


That's my favorite. Whenever I get a chance. That's actually code for, "You better fucking bring it in two God-damn seconds. Haven't you heard me slurping on my straw for an hour over here. Lazy sack a shit."


Although, I'm sure they hate when I leave the bill and say, "Whenever you're ready." Because that's code from me for, "Get yo fat ass up outta my booth. You are not the only one who needs to eat today okay!"  


Shit. I've managed to over analyze iced water and credit card receipts. Inanimate objects are making me neurotic. Or maybe just bitter. Actually, I'm probably just bored. 




AUTO FORM #3

TUFA TUGO COMA ENDO

Monday, August 3, 2009

Raised on Crap: My Childhood Cartoons pt.1

Remember how much fun it was to wake up on Saturday mornings and be emotionally raped as children by cartoons like this:


Shows that were designed to sell toys by re-telling the same seven stories over and over again through ugly animation and awful dialogue. That is actually what the producers of these cartoons told their animators, and they weren't allowed to venture outside of those seven stories. My favorites were the "let's share everything" episodes.


So why didn't we realize as children that we were being subjected to crap that was being written by cartoon writers too retarded to even construct a sentence? Have you gone back and watched any of these shows since growing up? I think a lot of people do, and they just tell themselves, "oh we just thought it was good because we were kids, and it is made for children", But have you gone back and watched cartoons that were made before the 1980s? Cartoons made by cartoonists? Go watch a Bob Clampett cartoon, or a Fleischer Popeye or Betty Boop short, or a Tex Avery cartoon.


Did you know that all of the Looney Tunes DVDs that were recently released by Warner Bros. have warnings on them "May Not Be Suitable for Children. Looney Tunes are intended for the Adult Collector". What?! Since when have Looney Tunes deserved a parental advisory? It's actually since the term was coined by cartoon executives "Imitable Behavior". This means that when Elmer Fudd blows off Daffy Duck's face with a rifle, that your children might not be able to separate this from reality.


A good example of "imitable behavior" censorship is with The Ren & Stimpy Show, where the entire animation studio was fired by Nickelodeon executives because they felt the cartoon violence would lead innocent children down a path of self-destruction. Ren & Stimpy is actually one of the only modern day examples of television animation (or any animation for that matter) done right.


When I was a child I loved Disney cartoons, until I realized one day that they were completely void of any personality or humor. But that is an entire different post altogether. There are some exceptions with Disney cartoons; have you ever watched Song of the South? Check out the animation in this film, it's some of the best ever produced by any studio.


Remember when the Hollywood whore Steven Spielberg started dabbling in animation? He brought us horrible crap like this:


Tiny Toon Adventures was supposed to bring back the "creator-driven cartoon", and be reminiscent of Termite Terrace, but it too was also raped by retarded Hollywood executives. That's where the job position of "cartoon writer" came from. The one requirement for this position is that you can't draw. Executives don't want artists anywhere near the responsibilities of what goes into a cartoon.


What blows my mind is that children seem a lot smarter nowadays than they did when we were young. My cousins were learning different languages at an age that I was jamming toy trucks up my nose as a kid. Why should they be denied funny cartoons? Who Framed Roger Rabbit almost brought back "cartoony" cartoons, but for those of you who have done your Disney homework, you know that Roger Rabbit is no longer welcome in the Disney family.


So what do you think? Do you think that our kids should be sheltered from Bugs Bunny, Ren and Stimpy, Tom and Jerry, and all the other characters that network executives have deemed too evil for children?

Isn't it much crueler to subject them to this?:



written by Jason Anders